Tag Archives: Afterlife

Free Ebook About Channeling Ghosts and Spirits Is a Remarkable Window Into What Mediums Were Learning About The Afterlife 150 Years Ago


Review by: KEN KORCZAK

Mediumship, spirit writings and the séance were becoming all the rage by the late 1860s and perhaps would peak in England and America around end of the 19th Century. After, say, 1910, the fascination with empirical science began to gain steam, and before long, science fiction magazines were emerging, displacing that sense of wonder one filled by the spiritualists and occultists.

But in 1869 a klatch of free-thinking transcendentalists gathered somewhere in America — and apparently they had access to one incredibly talented medium. The result is this remarkable document, “Strange Visitors.”

Download the free ebook here: STRANGE VISITORS

It’s a collection of “original papers” which are messages channeled from the dead, but not just any of the dearly departed. This ambitious project goes for the cream of the crop. They seek contact with luminaries from the world of science and literature, philosophy and government, art and poetry, and more.

Nathaniel Hawthorn

Such VIP Dead as Lord Byron, Nathaniel Hawthorn, Napoleon Bonaparte, Edgar Allen Poe and William Thackeray are contacted and queried for their impressions of what it is like to die and what the `The Other Side’ is like.

Also, people who were famous at the time, but more or less forgotten today, are tapped for after-death reports.

Marguerite Gardiner, Countess of Blessington

For example, there is a session with LADY BLESSINGTON, who was born to poverty in late 18th Century Ireland as Margaret Power. She suffered through a bad marriage to a drunken sea captain (which ended with his death in debtor’s prison), until she finally married into the aristocracy, landing Charles Gardiner, the 1st Earl of Blessington. Upon her elevation into high society, Lady Blessington became Countess Blessington and something of a celebrated literary figure across Europe and among elite, over-educated Americans.

But who is Henry J. Horn, the editor of this document?

I’ve done considerable sleuthing, and the best candidate might be a lawyer who spent most of his life here in my native Minnesota. Today, the “Horn House” at 50 Irvine Park in St. Paul is a prominent landmark listed with the Minnesota Historical Society. Born in Philadelphia in 1821, Henry J. Horn passed the bar in Pennsylvania and moved to the Twin Cities area in 1855. He purchased the Horn House in 1881. The home was built by Dr. Jacob Stewart in 1874 and designed by the German-American architect August Gauger. Henry J. Horn died in 1902.

Unfortunately, I have been unable to find any connection between Mr. Horn and spiritualist groups, mediums and séances — but is it likely that a high-profile, respected Minnesota attorney would lend his name to such an arcane publication? It’s a mystery.

An even bigger mystery is the identity of the medium himself/herself. Who was this remarkable person who contacted these disincarnate souls, and via “automatic writing,” produced reports an array of richly divergent writings (and poetry)from beyond the veil?

Charlotte Brontë

What’s even more amazing is that these manuscripts are much more than musings about the Afterlife — for example, an entire Gothic novel is presented, purportedly written by the ghost of Charlotte Brontë herself!

There are also political ravings by Napoleon — clearly still a megalomaniac-imperialist in the hereafter. A dirge by Edgar Allen Poe reveals that he remains a bleak, dreary, haunted poet despite having cast off the agony of the flesh!

The examples of Napoleon, Brontë and Poe might lead one to believe that these missives are not so much after-death communications, but rather, impressions of a creative medium with a literary bent — except that the majority of these works read like “authentic” contact with the dead.

Here’s what I mean:

In recent decades an interest in mediumship has experienced a resurgence. It all goes hand-in-hand with the rise of all things “New Age,” but interest in the idea that “no one truly dies” has also received a boost from medical types, such as Dr. Raymond Moody and his groundbreaking book LIFE AFTER LIFE and Elisabeth Kübler-Ross with ON DEATH AND DYING.

Others have since have gone much further with talking-to-the-dead kinds of books — consider the likes of psychologist Michael Newton and psychiatrist Brian Weiss who use hypnotic regression to document volumes of intense information from people’s past lives, but also from deceased loved ones.

Then there’s a whole string of folks from all walks of like who are either channeling the dead or reporting intense experiences in the Afterlife — books I’ve read recently (some reviewed here) along these lines include those by Natalie Sudman, Erika Hayasaki, Julia Assante, Dr. Eben Alexander, Dr. Allan Botkin, Bill Guggenheim, Dr. Don Miguel Ruiz, and many more —

— and the point is, the descriptions and communications these folks report about the after-death environment are remarkably similar the writings presented in “Strange Visitors” — which suggests that there is a certain authenticity to these works.

So this obscure gem published in 1869 is of great significance and interest.

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Ken Korczak is a former newspaper reporter, government information officer, served as an advocate for homeless people as a VISTA Volunteer, and taught journalism at the University of North Dakota for five years. He is the author of: BIRD BRAIN GENIUS

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The Betty Book is a Masterpiece of “Spirit Writing” Literature Channeled by Betty White With Help From Her Famous Author Husband Stewart Edward White

Review by: KEN KORCZAK

Stewart Edward White was a popular author in his day. From about 1900 through the early 1920s he published some three dozen books, both fiction and nonfiction, and they sold well.

His first book, The Westerners, was made into a Hollywood movie. Eight of his books would get movie treatment. The majority of his work featured outdoors themes that explored America’s “vanishing wilderness.” He wrote about his personal adventures with camping, cabin-building, panning for gold, hunting, fishing canoeing, Alaskan adventures and hiking deep outback trails.

His writing made him the first to be awarded the rare designation of Honorary Scout by the Boy Scouts of America in 1927, a recognition also given to the likes of Charles Lindbergh and James L. Clark. He hobnobbed with such luminaries as former President Teddy Roosevelt. Many of his works were later adapted into TV shows for The Wonderful World of Disney.

It was in 1919 that his life took a strange detour.

Stewart and his wife were at a party where someone suggested they noodle around with an Ouija board, “just for laughs.” Stewart describes himself as a skeptic, but more so, just basically unfamiliar and uninterested with occult phenomenon and esoteric thought. His overall notion was that psychic phenomenon had “been disproven.”

A Ouija board for sale in 1919.

His party friends disliked the planchette normally used with an Ouija board so they substituted an overturned whiskey glass. No one was in a serious mood so they asked goofy, inane questions. They hooted with laughter and scoffed with derision as the Ouija board only seemed to be obliging them by spelling out absurd and simplistic responses.

At one point, however, the Ouija expressed frustrations with the party folks. It abruptly spelled out: “Why do you ask such foolish questions?” This intrigued Stewart White.

But there was another thing that caused Mr.White to become even more intrigued — it was the way that shot glass moved under his fingers. He was aware of the scientific theory that such movement was caused by involuntary motions of the hands driven by cues from the subconscious mind — what today is called the ideomotor effect — and yet, he had a nagging sense this wasn’t what was happening. He couldn’t shake the feeling that “some other force” was involved.

One other thing gave him pause. At one point, the Ouija started spelling out the name “Betty” over and over again. Betty happened to be Stewart’s wife. She was standing off to the side no longer paying attention to the party game. Her husband told her the Ouija was requesting her participation. Betty shrugged her shoulders and obliged. She sat down and put her finger on the shot glass. The Ouija then began spelling out over and over again: “Get a pencil … get a pencil … get a pencil.”

The small peculiarities of the Ouija party captivated Betty just enough to pick up a pencil a few days later. Yes … despite having little or no interest in the occult or spiritualism … she decided to go ahead and try her hand at automatic writing!

A rare photo of Betty White along with her husband Stewart Edward White.

Automatic writing is when someone writes down information without conscious intent. The hand seems to move on its own as it spells out words. The paranormal suggestion is that the writer has set his or her mind aside and is channeling information from an unseen agent, such as a spirit or nonhuman entity of some sort.

Those who lean skeptical say it is information percolating up from the subconscious, or basically the same ideomotor effect that drives the Ouija. There is no outside influence. This information is coming strictly from inside the brain of the writer — who is also probably just deluding him or herself, the skeptics say.

As for Betty White, she just put all theories aside. Neither she nor her husband proclaimed to have an agenda, no investment in any particular theory, philosophy or occult influence — and for some extraordinary reason — Betty began the fantastically tedious process of trying to make headway with automatic writing!

This was remarkable — because this effort can be elusive and banal in the extreme. And for what reward, exactly? It involves endless hours of sitting with a pencil poised over a sheet of paper and getting into a certain frame of mind — a state that would allow her hand to flow, to seemingly write stuff down as if the her hand had a mind of its own.

A 19th Century depiction of automatic writing.

I dare say 99 out of a 100 people … no, more like 999 out of a 1,000 people … who give this a try once or twice give up in abject frustration. But Betty persisted. She was able to generate just a few words and phrases at first. Later came more complete sentences. The information imparted by these phrases and sentences was just intriguing enough for Betty to soldier on. The interest, support and participation of her husband was certainly helpful.

Betty eventually reached the point where she could generate pages of material via automatic writing. She then graduated to what today we could call “channeling.” She sat back in a mild trance state and dictated by voice information coming directly into her mind while her husband wrote it all down.

But just with who or what was Betty communicating? Ghosts? The spirits of dead people? Some sort of super-intelligent disincarnate intelligence? It seemed to be the latter. It was through a suggestion of a friend that Betty and Stewart decided to call their unseen source “The Invisibles.”

That’s not what the nonphysical entities called themselves. Indeed, these beings who were so eager to speak through Betty were also highly reluctant to talk about themselves. The details about their own true nature would be “an unnecessary distraction,” they said. The information they wanted to impart to the human race was paramount.

Stewart Edward White

The Invisibles insisted that what they wanted to tell humanity was not just urgent, but “extremely urgent.” They said humankind had become lost is a miasma of trivial thoughts and petty pursuits They said that “thoughts are things,” and therefore, bad thoughts, negative thoughts and useless thoughts were doing great damage to the human condition.

They told Betty and Stewart that the dominant philosophy of materialism — that people were mere physical matter interacting with a purely physical world — was a dead end. They said humanity had become cut off from “a larger truth and reality” about their individual and collective existence — which they said extends far beyond the borders of the physical body.

They said the human brain was not merely a lump of meat acting and reacting to stimulus from the material world. The suggestion was that we had become convinced that we are mere biological machines, and that our reality ended at the border demarcated by the outline of our skin.

The Invisibles then imparted a vision of each human being as a much vaster entity composed of a nonphysical component that was just as real as the physical body. Although the Invisibles, Betty and Stewart all disliked loaded terms such as “spirit” or “soul” because of the religious baggage attached to these definitions, they nevertheless used them for the sake of convenience.

The Invisibles stressed the idea that a person’s “soul” was also a bona fide “thing with actual physical substance.” About this, Stewart  White asked them:

“I may be literal-minded. But I am going to ask whether this spiritual body as you describe it is a symbolic statement meant to convey a concept or whether you mean it literally as you describe it, as a material thing.”

The Invisibles answered:

“It is ACTUALLY MATERIALLY THAT in its own condition of health and development. It is flesh and it is blood.It may not be the same kind, but it is as real, as warm, as living as your own.”

At this point Betty paused to actually experience directly what the soul or spiritual body was like. After about a half hour, she offered:

“It is a pulsing, living body purified of organic frailty … durable, flexible, susceptible of more powerful action through susceptibility of sense.”

And so the majority of the information offered in The Betty Book is a kind of instruction manual for how human beings can expand their vision and understanding of themselves and get into greater touch with what is actually the larger aspect of who we are. Think of the physical body as the tip of the iceberg that peaks above the surface of the water — and the nonphysical or “spiritual aspect” as the greater, more significant and more important component of each individual person.

Tina Keller M.D., a pioneer of Jungian analysis.

The kind of information and instruction offered by The Invisibles through Betty is some of the most remarkable channeled material I have ever read. Every page is deeply substantive and intellectually challenging — this is anything but more of the same New Age pap offered since, say, the 1960s, when a resurgence of channeled writings began to re-emerge  into popular circulation on our bookshelves.

Even the great Swiss psychologist Carl Jung was deeply impressed by The Betty Book. Shortly after The Betty Book was published Jung gave a copy to his long-time associate Dr. Tina Keller, a pioneer in psychiatric medicine and psychoanalysis. Keller said she read an re-read The Betty Book and all of the subsequent channeled books that followed it. Keller said:

“Betty White, the brilliant woman who had accidentally discovered her mediumistic gifts, dictated to her husband, the writer and explorer Stewart Edward White, a long series of teachings, full of wisdom and salty humor, for practical application of living. They were communicated by different personalities of quasi-personalities whom the Whites called “The Invisibles” …. My own experiments, based on the books, proved this to be both true and extremely important.”

The late Jane Roberts and “Seth”. Roberts channeled the disincarnate entity to write dozens of books.

As for myself, I can think of no greater compliment to make about The Betty Book than it offers channeled information on par with the work of the great Jane Roberts, author of the Seth books. Roberts is the gold standard for intelligent and authentic channeled material, in my opinion.

Betty White’s information is far superior to, say, the healing advice and Atlantis predictions of Edgar Cayce, or the largely bland and vague pronouncements we get from so many of the popular psychic mediums selling books today.

There’s some additional information in the appendix that is fascinating. Stewart and Betty get together with some like-minded friends and conduct a series of experiments in which The Invisibles bring forth a variety of physical phenomenon to demonstrate their reality. This includes producing visible auras around the bodies of the participants. The Invisibles also conjured a series of “masks” which appeared over the face of Betty causing her to look like her child self. Other masks gave her more bizarre, exaggerated caricatures.

After the success of The Betty Book, Betty and Stewart produced several more volumes derived from Betty’s mediumship, the most successful of which was THE UNOBSTRUCTED UNIVERSE released in 1940. This book sold so rapidly that the printers had difficulty keeping up with month-to-month demand.


I think it’s significant to note that the financial success of all the channeled Betty books was no big deal to Stewart and Betty White. They were fantastically rich and had been so from birth. Both were the children of multi-millionaires. Betty was from one of the most venerable aristocratic families of Rhode Island. Stewart’s grandfather and father made millions in the lumber business. Stewart and Betty lived an exciting lifestyle of globe trotting, yachting and exotic adventure. That means the old skeptic’s charge of “they were just selling sensational books to make money” cannot apply.

It’s safe to say that Stewart Edward White, his books and the metaphysical books he produced with Betty are largely forgotten today. Some of them were reprinted as paperbacks with sensational titles and lurid images in the 1970s. They were sold in airports and drugstore racks designed as impulse buys for folks with casual interest in the paranormal.

Whatever the case, Betty White’s channeled information eloquently edited and assembled by her talented husband deserve a prominent place in the pantheon of the best metaphysical writings ever produced.

NOTE: You can read The Betty Book for free on the Australian Project Gutenberg site here:  THE BETTY BOOK FREE

ADDITIONAL NOTE: You may be interested in my reviews of similar books, just click the links below:

AFTERLIFE CONVERSATIONS WITH KEN KESEY (AND OTHERS) BY WILLIAM BEDIVERE

THE GHOST OF ERNEST HEMINGWAY BY FRANK DEMARCO

GHOSTS I HAVE SEEN AND OTHER PSYCHIC EXPERIENCES BY VIOLET TWEEDALE

A VOYAGE TO ARCTURUS BY DAVID LINDSAY

APPLICATION OF IMPOSSIBLE THINGS BY NATALIE SUDMAN

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Ken Korczak is a former newspaper reporter, government information officer, served as an advocate for homeless people as a VISTA Volunteer, and taught journalism at the University of North Dakota for five years. He is the author of: BIRD BRAIN GENIUS

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Talking to the dead: Medium Suzanne Giesemann insists on real evidence

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Review by: KEN KORCZAK

This is a fascinating book because it is anchored by a story that seems almost too sensational to be true, yet the evidence would seem to indicate that it is true.

Author and professional medium Suzanne Giesemann also brings an added aura of credibility — her former career as a high-ranking U.S. Naval officer provides a sense of grounding – here seems to be a no-nonsense person we can trust to be level-headed, honest and highly responsible.

Before taking on the life of a professional speaker-to-the-dead, Giesemann spent 20-years in military service, retiring with the rank of Commander. She served at the highest levels; she was Aide to the Chairman of the Joint Chiefs of Staff.

Anyone not knowing her background, and upon reading this book, might peg her as among the most airy-fairy of New Agers. This book, Wolf’s Message, has it all – all the (seeming) New Age fluff it can muster, and more.

There’s channeling of the dead, communication with advanced collective beings, angels, psychic phenomena, trance states – and so many of the common accouterments of New Agers – power crystals, dream catchers, runes for casting, angelic clouds, mandalas, sacred geometry, Hemi-Sync CDs – it’s almost as if the author used went into one of those New Age trinket shops in a place like Sedona, Arizona, and bought `one of each,’ then worked them all into her narrative.

images

Suzanne Giesemann

But the real foundation of this book is the astounding details surrounding the death of a young Plymouth, Massachusetts, man by the name of Mike Pasakarnis, who went by the nickname “Wolf.” He was struck dead by a freak lightning bolt.

Remarkably, this is the same way the step-daughter of the author died. Giesemann’s step-daughter was a sergeant in the U.S. Marines at the time. But that’s just one of the eye-popping confluence in this story.

The details of Wolf’s death, his prediction of his own death, the seemingly incontrovertible evidence of that, his after-death communication – it will all blow your mind.

I don’t want to give away too many details and ruin this read for anyone, but the circumstances of Wolf’s death, and Giesemann’s subsequent afterdeath communications with him, are intriguing, to say the least.

Note that Giesemann calls herself an “evidential medium.” That means she’s all about getting the hard facts – solid, undeniable proof that the voices she hears in her psychic head must be and truly are the spirit of the dearly departed.

It is important to note that this book goes well beyond the scope of merely communicating with a deceased person and passing on that information to his grieving parents – Giesemann uses the overall scenario as a platform to deliver up much wider, deeper and more penetrating spiritual lesson for her readers.

If you ask me, her prose is a bit over-the-top. Her style comes off as super-sticky-sugary New Agey schlock. Here enthusiasm is almost tiring – practically on every other page Giesemann reports being “stunned!” “astounded!” “awestruck!” “weeping with gratitude!” “blown away!” “blissful!” – the superlatives just keep gushing forth, as if a dam holding back a lake of Holy Water has breached.

But you know what? That’s okay. Suzanne Giesemann is clearly all heart. She’s a sincere-to-the-bone explorer of transcendent realms. She is driven to bring us a message of unstoppable, monumental cosmic hope. Why hold back?

I encourage everyone to get this book and be prepared to be “awestruck!”

Ken Korczak is a former newspaper reporter, government information officer, served as an advocate for homeless people as a VISTA Volunteer, and taught journalism at the University of North Dakota for five years. He is the author of: BIRD BRAIN GENIUS

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The ghost of Ernest Hemingway: Still eloquent in the Afterlife

51fl3+IFDmL._SY344_BO1,204,203,200_KEN KORCZAK:

This is the second FRANK DeMARCO book I’ve read. The first was “A Place To Stand,” and I think anyone who reads both of the above will be sufficiently impressed that here is a guy who not merely another frivolous New Age writer raving from the fringe, or some person seeking to capitalize on the name of Hemingway merely to sell a book.

This is an intelligent book of substance that should intrigue long-time Hemingway fans, and give us pause to consider the implications of what it might really be like to have a one-on-one chat with an American literary giant.

There is ample historic president for these kinds of books, in particular, Jane Robert’s (author of Seth Speaks), “channeling” of the American philosopher William James. That book came out in 1977; James died in 1910.

Another famous example: Emily Grant Hutchings and a medium using an Ouija board took “dictation” from the spirit of Mark Twain to produce an entirely new novel, “Jap Herron.” It was published in 1916, six years after Twain’s death.

In 1869, a medium “downloaded” a fresh novel written by the deceased Emily Brontë; It’s presented in a book called “Strange Visitors” edited by an esteemed legal scholar, Henry J. Horn.

So DeMarco is backed by solid tradition, and the precedent of others who have written amazingly high quality books in this way.

Beginning in 2004, DeMarco, using the time-honored, method of automatic writing, made psychic contact Hemingway and engaged in a vigorous post-death conversation with Hemingway. The dialogue resulted in this book.

In it, Hemingway clears the deck on dozens of misconceptions he says numerous biographers and academics have besmirched upon his life, work and legacy over the years.

Not that he’s particularly angry or blames living biographers who, after all, only gave it their best shot. It’s just that, Hemingway says the game is rigged. Writing a truly accurate biography is fundamentally impossible. The deceased Hemingway tells DeMarco:

“To write a true biography you would need to do impossible things, such as:

* See and feel and think and react as the subject would have done.

* Contain within yourself all the subject’s background, including people, places, books he’s read, the news of the day (day by day), the daydream he had, the talents and aversions and every aspect of his personality.

* Know everything that had ever happened to him and some that happened only around him, and from multiple points of view.

* Know every strand that operated within him, and in what proportion and in what circumstances, including the tremendous amount he didn’t realize himself.

*Know at least something of why he came into life (or, you might say, what the potential or that particular mixture of elements was) and see how one thing could express only at the expense of others, and hence what tensions set up.”

That all makes sense, when you think about it. Certainly, the dead Hemingway has a knack for bringing an unclouded, common-sense kind of wisdom to vexing questions and thorny issues.

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Frank DeMarco

Another example: DeMarco asks Hemingway to explain something controversial the macho-man writer once said, that he would “rather beat someone up than read a good book.” (This in light of Hemingway’s well-known love of boxing and barroom brawling).

Hemingway, from his perch in the Afterlife, defends his statement this way:

“All right … who are you talking to? In this case I mean, what age Hemingway? The answer you’d get from a 20-year-old isn’t what you’d get ten years later, or thirty, or after-the-fact entirely … the whole point of living is not to be the same year by year, but to change — I didn’t prefer beating somebody up to reading a good book. Just count the number of people I beat up and the number of books I read!”

Still eloquent in death, Hemingway scores again!

DeMarco’s book is loaded with gems like these. Hemingway’s quips zero in like sharpened darts, hitting dead-on rhetorical bullseyes time and again.

If this is not the actual spirit of Hemingway speaking through DeMarco, then DeMarco himself is one clever wordsmith.

But wait a minute — DeMarco cautions us that just who is actually communicating here is a tad more complicated than you might think. Here is the way DeMarco struggles to define his trans-death connection with the deceased writer:

“I think you mean to say that Hemingway 1899-1961 and DeMarco 1946-20-whatever do not touch, and that I have been thinking that DeMarco-46 was touching the spirit of Hemingway-99, but it may be more accurate to say that the larger being of which DeMarco-46 is a part is communicating with the larger being of which Hemingway-99 is a part, and the two time-bound parts are having a sort of virtual conversation.”

In other words, most people assume that when you contact the spirit of a dead person, you are speaking to the exact person/ego-construct/personality of that same person when he or she was alive.

ErnestHemingway

Papa

But there is not a Person A = Person A situation vis-a-vis the live version of a person and the afterlife version of that same person.

After we pass over to the other side, we apparently expand our consciousnesses to embody the “whole self,” or perhaps “soul self.” We become aligned with the so-called Oversoul.

For the dead, the ego-self recedes into the background because the ego is actually an elaborate, artificial coping/defense construct designed to function in the environment of our earth-bound, physical matter reality. The ego is too often shaped by fears and desires, and is a reactor rather than an actor within a material system. Yet, after death, we can still operate from an ego-based platform if we want to …

What I really like about Afterdeath Conversations With Hemingway is that it reads not like the typical spooky and/or smarmy medium-channeled stuff, but as an insightful, intelligent and piercing series of observations by a savvy writer, who just happens to be positioned in the non-physical realm.

DeMarco’s book makes the extraordinary situation of speaking with the dead seem as commonplace as chatting with your Uncle Ned via Skype.

With dogged attention to detail, DeMarco combs through the issues that were the passions of Hemingway’s vigorous life — World War I, the Spanish Civil War, the American psyche, the artistic culture of Europe, big game hunting, deep sea fishing, writing and literature. Hemingway discusses what it meant to be an American, an emerging modern man in a nation straining to become the next superpower.

What about his suicide? Hemingway is actually rather blasé and dismissive of the whole issue. He called suicide “the family exit.” Hemingway’s father committed suicide, as did his brother, Leicester, and sister, Ursula. The dead Hemingway says of his suicide:

“When I left the body — when I blew myself out of that situation — I knew what I was doing, and why. I wasn’t emotionally distraught, I wasn’t out of my mind, and I wasn’t even depressed — once I figured out how to get out … the bad effects of suicide have a lot more to do with attitudes that with the given act.”

After his death, Hemingway tells DeMarco that he now manifests himself in the spirit world as a 30-something-year-old.

“I went back to being in my mid-thirties,” Hemingway said. “I was happy then. I’d taken my lumps and I’d already left Hadley, (first wife Hadley Richardson) which was a stupid thing to do but there you are, and I was in the prime of life.”

The bottom line: This is a marvelous read, well worthy of five stars, and gets my top recommendation.

Ken Korczak is a former newspaper reporter, government information officer, served as an advocate for homeless people as a VISTA Volunteer, and taught journalism at the University of North Dakota for five years. He is the author of: BIRD BRAIN GENIUS

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