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Nancy Tremaine’s Second Book, Preordained, Follows-Up and Continues Her Uncanny Story of Alien Encounter and Life-Altering Aftermath

Review by: KEN KORCZAK

For 50 years, Nancy Tremaine kept an astonishing secret.

Living in a small town on the outskirts of Detroit, she was just 12 years old in 1961 when an enormous flying saucer appeared low in the sky in her residential neighborhood not far from her home. Her best friend Cindy was with her – but the two girls were far from the only witnesses. The amazing object was seen by at least three police officers and other residents of Novi, Michigan.

If Nancy and Cindy had merely experienced a sighting – a close encounter of the first kind – it may have been merely a memory for a lifetime. But this was to be a deeply involved event that included the abduction of both girls. For Nancy, it was a highly intrusive physical and psychological confrontation with the unimaginable unknown.

Neither she nor Cindy would ever speak a word of what happened to them to anyone, not even their most intimate friends, family members or spouses – until a half a century later. The weight of this enormous secret exacted a heavy toll on both women. For Cindy, it may have been at the root of her lifetime of severe addiction to alcohol and nicotine, and her death.

NANCY TREMAINE gives all the details of what happened to her on that fateful day in her first book, SYMBIOSIS. (See my review HERE). It’s an uncanny account of nonstop high strangeness which has manifested and followed Tremaine throughout her life and continues to this day.

In this follow-up book, Preordained, the author continues to tell her story – because this is a story that can be truly said to have no end. Nothing ever “ended” for Nancy Tremaine after that fateful July 1961 day, even during her many years of living in denial. That’s why this new book (nor the previous) can’t be categorized simply as a “UFO book.” The complexity and the implications of Tremaine’s experiences are a demonstration that the “UFO phenomenon” has never really been just that. It is something much larger and more profound.

The picture that has begun to emerge in recent years within the UFO community and among those who study such things in-depth is that an encounter with an unidentified flying object is often a kind of symbolic representation of a greater reality. More and more, it’s becoming clear that people who are “experiencers” tend also to be the subjects of paranormal phenomena that run the gamut across a range of bizarre occurrences.

Nancy Tremaine

This can be everything from poltergeist activity to encounters with the dead and visitation by all manner of spiritual or otherworldly beings. Experiencers might hear disembodied voices speaking to them when they are alone or get eerie messages on their telephone answering machines. A common “side-effect” is persistent problems with electrical equipment, including the electronics of cars. Incidences of extremely strange, synchronistic coincidences are brought forward as are chance meetings with “strange people” who appear to be normal folks at first glance, but subsequently, turn out to be “something else.” And then there’s the MIB — Men In Black — encounters that are among the weirdest aspect of the phenomenon.

It is important to note that the happenings can also be positive. Some people have been healed of serious illnesses after their encounters, for example. Others develop loving relationships with the beings that once frightened them, abducted them and put them through terrifying experiences. Many subjects go on to achieve expanded states of consciousness and have Vedic or Buddhist-like enlightenment experiences, such as samadhi or the attainment of nirvana. Another reoccurring theme is coming to view all existence as a “grand cosmic oneness.” Religiously-charged and mythologically-charged occurences might also be viewed as positive — such as the many cases when experiences are visited by an apparition of a “Virgin Mary” or “Goddess Women” kind of figure.

This “all-of-the-above” scenario is being increasingly championed by those have been studying the UFO issue for decades. Prominent figures, such as Grant Cameron, Col. John Alexander, Dr. Jacques Vallee, Linda Moulton Howe, Dr. Simeon Hein and Rey Hernandez are just a few examples of those who concluded that the so-called UFO Phenomenon is a kind of “Pan Phenomenon.”

The Coombs family of Wales experienced intensive UFO sightings combined with wide-ranging, intrusive paranormal activity for months in the 1970s.

We also have excellent case studies of real-life people who live out this Pan Phenomenon. The most high-profile is undoubtedly Whitley Strieber, although his enormous, Hollywood-level celebrity and his relentless penchant for rolling out his story in a chronically controversial manner has made him a favorite punching bag for armies self-appointed and narrow-minded skeptics.

But there are other more down to earth experiencers who have been proven much more difficult to dismiss and attack because they are not celebrities and their cases enjoy the advantage of multiple witnesses and documented physical evidence – two of the best examples are CHRIS BLEDSOE of North Carolina and the stunning experiences of the Billy and Pauline Coombs family during the famous Welsh UFO flap of the late 1970s. But there are many more lesser-known experiencers, as well – such as DAVE SHOUP, PH.D., an agricultural engineer who enjoyed a stellar academic and scientific career while keeping his life-time contacts with UFOs, MIBs and other phenomena a secret. Once he retired and his career could no longer be damaged, Shoup decided to “come clean” in a book about his experiences. (NOTE: My review of Shoup’s UFOs FIRST PERSON: A LIFETIME OF SECRECY is pending).

Nancy Tremaine’s Preordained is an important book because it vividly illustrates yet another person who is experiencing this highly multifaceted Pan Phenomenon – especially since she decided it was time to break her silence and come forward to tell her story to the world. The paranormal episodes she encounters are wide-ranging.

To take just one bizarre example – Tremaine was having a telephone conversation with a friend. She was not touching her smartphone at the time – it lay beside her on a table with speakerphone enabled. Tremaine began to hear buttons being pressed. On the screen, a series of numbers appeared, seemingly at random. But when she Googled the number series it turned out to be a U.S. Patent Office number – it was the patent number for “a movable ground-based recovery system for a hovercraft landing system.” The equipment is associated with NASA’s Spitzer Telescope project and its SOFIA project.

Spitzer Space Telescope

A second series of numbers when Googled turned out to be a homo sapiens gene ID number representing GPAM, glycerol-3-phosphate acyltransferase, mitochondrial.

Furthermore, the person she was speaking to had his own inexplicable experience while Tremaine was watching the numbers pop up on her phone. He could hear the disembodied eerie voice of a woman calling out numbers — he was alone in his apartment during the call.

Nancy Tremaine relates a number of other high strangeness events in Preordained, and I won’t tell you any more of them here because I don’t want to spoil the book for you. Rest assured, however, that you’ll be vexed and amazed at the numerous incidents of baffling and paranormally weird experiences this woman has confronted and endured.

Former Police Chief Lee BeGole of Novi, Michigan, with the author

Finally, what impressed me the most about Preordained is how Nancy Tremaine illustrates her dogged and heroic efforts to prove that what happened to her that day so many years ago in 1961 was not something she imagined or made up. Her ace in the hole, so to speak, is the 90-something former police chief of Novi, Michigan, Lee BeGole, a deeply respected figure in his community and a man of unimpeachable character and sound mind. Chief BeGole is in a position to verify the events surrounding the 1961 UFO sighting because he directed his officers to respond to the scene when phone calls began coming into the police station from freaked-out residents of the neighborhood where it happened. His deputies reported back to him what they saw in real-time via radio. BeGole also tells of other people who approached him to report sighting the object.

For Tremaine, such corroborating support that a UFO really did hover over the residential neighborhood of her small town on that day means the rest of her story is underpinned by a powerful measure of authenticity. Tremaine called Chief Lee BeGole, “The bravest man I have ever known for putting his reputation on the line for telling the truth.

This review is already overlong, but I must add a final note that’s critically important. Nancy Tremaine does something in these pages I think is vital for people to understand – and that is, despite the paradigm-shattering nature of her experiences, Nancy shows her self to be an “ordinary” and “real” person like anyone else, just trying to live her life, pay her rent, work at her job and go home in the evening to enjoy some peace and downtime.

Without asking for it or knowing why, she was thrust into an extraordinary situation – yet she still must endeavor to have a normal life among everyday people amid what everyone has judged to be societal norms.

For example, she tells of her time working as a nurse’s aide in an elderly care facility and shares her insights at the many absurdities in the way our society handles people who are extremely old and well-beyond having an existence of true meaning. We tie them into chairs or strap them into beds and use all manner of artificial means to keep them breathing and their feeble hearts pumping for another day, even when the extremely aged would prefer not to. (Note: I worked my way through college as a nurse’s aide, so I can attest to the authentic nature of Tremaine’s experience).

Another example is the story of how she adopted her beautiful little black cat, Joy, from a shelter. It seems a simple story, but for me the impact was profound. That’s because this vignette, again, shows a normal person, like anyone you know, doing something kind and simple and yearning for the companionship of a wonderful creature.

So, look around you – and have a care. Always be ready to understand. It may be your neighbor, a co-worker, the check-out girl you chat-up at the grocery store, the delivery man who delivers a package or pizza to your doorstep, or a member of your own immediate family. It might be your doctor or lawyer. It’s possible they’re living with an enormous secret and doing their best to cope with it, even when it seems impossible to know how.

IMPORTANT NOTE: I received an advanced copy of this book from the author for review. Publication is forthcoming via FLYING DISC PRESS.

Ken Korczak is a former newspaper reporter, government information officer, served as an advocate for homeless people as a VISTA Volunteer, and taught journalism at the University of North Dakota for five years. He is the author of: BIRD BRAIN GENIUS

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Whitley Strieber’s Afterlife Revolution Breaks Little New Ground But Is Worthy Addition to Survival of Death Literature

Review by: KEN KORCZAK

The great thing about reading a Whitley Strieber book is that you’re getting a Whitley Stieber book.

The bad thing about reading a Whitley Stieber book is that you’re getting a Whitley Strieber book.

I’ve been a reader of Strieber since he published his first novel in 1978, The Wolfen. This was made into a fine feature film starring Albert Finney. His next work of fiction also got Hollywood treatment. That was The Hunger, published in 1981. The movie version featured a megawatt cast of David Bowie, Susan Sarandon and Catherine Deneuve.

Other successful novels followed. Whitley Strieber was like a more intellectual and elegant Steven King. His books may not have enjoyed spectacular Steven King-like sales, but he developed a significant following and was considered a premier fiction writer of his time.

Then, in 1985, everything changed for Whitley. That was the year he experienced what could only be described at the time as visitation by aliens, the ET kind, not the border-jumping kind. He wrote a book about it that came out in 1987 – the now famous and infamous COMMUNION. Whitely Strieber’s life would never be the same, including his standing in the literary community.

To add insult to injury to the collective egos of the snobby New York literary elites, Communion sold about a gazillion copies. It parked itself on the NYT bestseller list for weeks. It was also made into a bizarre movie starring Christopher Walken. The controversial American scholar Jason Reza Jorjani called the movie, “a surrealist masterpiece.” It was directed by Philippe Mora.

Communion also sent Strieber’s lofty literary career into a wild spin from which Strieber has never re-emerged. After Communion, he entered the Land of New Age Woo Woo – which can be a lucrative niche in and of itself – but his days as an “acceptable” mainstream author seemed finished.

It is difficult to tell if this fate for Strieber was by his choice or the result of the unexpected furor that erupted over Communion and careened out of control. But consider that he wrote several sequels to Communion. If Communion was an out-of-control situation – Strieber seemed to have decided to just roll with it. He was consciously choosing the path he wanted to take.

He remains a significant figure in the paranormal space – esoteric, New Age, occult, ufology, mysticism, psychic stuff – whatever you want to call it. The thing about Whitely is that his work straddles all these categories. Pinning him down as a just “UFO guy” or a “New Ager” will never hit the mark.

Anne and Whitely

So, this latest book is about the survival of death. THE AFTERLIFE REVOLUTION comes in the wake of the death of his beloved wife, Anne, in 2015. The gist of the book is Strieber’s belief and presented evidence that his wife has continued her existence in the Afterlife and has managed to reestablish contact with him. This book is billed as a bona fide collaboration with the spirit of Anne, who only departed physically. She remains an active, living presence for Strieber today. Anne Strieber is credited on the cover as a co-author.

To be honest, even though Strieber leverages the word “Revolution” in his title, I found very little that was revolutionary in terms of advancing the study of contact with deceased individuals. Don’t get me wrong – there’s some intriguing and authentic stuff offered in these pages – but Strieber offers little (in my view) that goes beyond the hundreds of other books written on this topic over many decades now.

Yes, Strieber is correct in calling it an “Afterlife Revolution.” It’s just that, it began about 150 years ago. (I won’t discuss what the Egyptians were doing in this realm thousands of year ago). In modern times, it was around the mid-1800s that an explosion of interest in seances, table rapping, automatic writing, Ouija board work, trance channeling, spirit writing and mediumship began to spread across European high society and elements of American society.

I’m sure I have read more than 300 books about making contact with the departed. I mention this because a lot of them provide evidence of survival than goes well beyond what Strieber is offering in Afterlife Revolution. I have reviewed many of them on this website. Here are just a few recent examples that you will find here:

RAYMOND or Life and Death by Sir Oliver Lodge — Published 1916

STRANGE VISITORS edited by Henry J. Horn – Published 1871

AFTERLIFE CONVERSATIONS WITH KEN KESEY by William Bedivere — Published 2009

WOLF’S MESSAGE by Susan Giesemann

AFTERLIFE CONVERSATIONS WITH HEMINGWAY by Frank DeMarco

THE BOY WHO DIED AND CAME BACK by Robert Moss

NEAR DEATH EXPERIENCES by P.M.H. Atwater

GHOSTS I HAVE SEEN by Violet Tweedale — Published 1920

I list this short selection to show just a few examples of works that make a more robust evidential case for the survival of death than does The Afterlife Revolution. There are others, of course, such as the work of DR. STAFFORD BETTY of the University of California.

That’s doesn’t mean Strieber’s book is not a worthy addition to the record. Also, because it is a Whitely Strieber book, it’s well written. I found the stories of Anne’s travails as she battled worsening illness and harrowing trips to hospitals and emergency rooms heart wrenching and profound. Whitley was at her side every step of the way and he masterfully captures the anxiety, fear, sense of hopelessness and desperation as it becomes increasingly clear that the days of his beloved spouse’s sojourn on earth are coming to an end.

My heart goes out to Whitely Strieber for his loss and ordeal, and I know all readers will feel the same.

But now a short additional discussion about Whitely Strieber:

I find Strieber to be among the most vexing of authors to read. He has done an invaluable service to his fellow human beings by sharing the sensational phenomena he has encountered in life — for which he has paid a heavy price.

He has been gleefully savaged by so-called skeptics who belong to the fundamentalist religion of material science. Sure, that comes with the territory for anyone willing to write about personal confrontations with the paranormal, but Strieber has been singled out like few others for some of the most vicious, caustic and flesh-tearing attacks I have seen. It’s largely unfair.

At the same time, it’s painful for me to admit, as an admirer, that Whitely Stieber has brought much of it upon himself. For starters, he has made public claims that are demonstrably untrue – such as saying he personally witnessed the 1966 infamous Texas Tower Shooting shooting at the University of Austin perpetrated by Charles Whitman and killing 17 people. It seems clear he did not, and he has changed his own story about the event a number of times. Even his mother said he wasn’t there.

But Strieber has also created genuine problems for himself by seeming to often mix elements of his fictional works with his books of nonfiction. His ever-hounding pack of critics has pointed to specific passages that appeared in his novels which reappear in his nonfiction. (Note: This can be more complicated because Whitley may not view the differences between reality and imagination in the common way — but that’s a complicated issue I must leave aside here).

Another way that Strieber gets himself into trouble – and this is subtle — is that he is a fantastic marketer of himself. Before he embarked on his literary career, Strieber was a bona fide “Mad Man” – as in the television show about the advertising business. I’m not saying Strieber was debauched ala Roger Sterling or Don Draper – but his advertising background comes across (to me, anyway) when I hear Whitely speak or tune into his podcast, UNKNOWN COUNTRY, where he frequently pitches his own books and other things he wants to sell, such as memberships to his Patreon site.

I know what I’m saying is fantastically unfair – Whitley has every right to promote his stuff and earn a living – but when someone is as good at selling,  one must fight off that notion that whispers into the mind: “I’m really being SOLD something here.” Again, I strenuously emphasize that it’s monumentally unfair of me to even say this – so why do I? It’s because my larger point is that — I think the smooth way he pitches his stuff tends to work against him in an unexpected, perhaps even subconscious way in the court of public opinion.

Now I’ll address what is the biggest factor which troubles me the most about Whitely Strieber. It’s the undeniable fact that he is a superb merchant of fear. I think of my sister who once told me that only two works of art prompted her to sleep with the lights on for three months. The first was viewing The Exorcist. The second was reading Communion. In fact, that’s one of the most common kinds of comments I have heard from people over the years who have read Communion. They all say something like: “That book really scared the shit out of me!”

Keep in mind that Strieber began his career as a writer of horror fiction. The Wolfen and The Hunger were not so much blood and gore as they were vehicles of deep psychological terror. But the contract we all have with fictional horror is that we agree to or ask for what is being offered. We willingly plunge into the pages of a horror novel eager for chills and unsettling scenarios – psychologists suggest we like to read horror because it serves as a kind of inoculation against real fear and terror, much the same way a weakened version of the flu virus in a vaccine serves as a prophylactic against the flu itself.

But with Communion, Whitley enters our minds through a loophole in the common literary contract. The work is offered as something that is true and real – and also something that could easily happen to anyone of us. It is extremely difficult to defend ourselves from this form of psychic intrusion. What if it’s real? What if bizarre aliens can come into our homes, into our bedrooms and do anything they want to us – including subjecting us to the most personal and intrusive manner of medical experiments. What if they can control our minds and manipulate every aspect of our lives? Are we little more than rats in a cage for them? What then?

By Calistemon – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=12853851

Even when Strieber is writing hopeful, inspirational books – such as The Afterlife Revolution – he can’t help but slip in an element of visceral horror. In this case, he relates an episode with frightening giant spiders – dripping with evil — which he said appeared over the bed of his wife and threatened to drop down on her sleeping form.

The same is true for another recent Strieber book – The Key. Here Strieber lays out for us apocalyptic scenarios that are unsettling to the core. Massive global warming, floods, natural disasters, death and destruction are part of the message Strieber’s messenger from another dimension regales him with during a series of mysterious meetings.

By Sailko – Own work, CC BY 3.0, https://commons.wikimedia.org/w/index.php?curid=39809967

I could go on, but here’s the point: Strieber’s works have injected massive doses of fear into our society. This comes at a heavy cost. The opposite of love is not hate – the opposite of love is fear, although hate is a byproduct of fear. When millions of people are prompted to vibrate the energy of fear, the effect cascades across the collective consciousness of humanity. Think of the way a pebble dropped onto the still surface of a pond sends waves across the whole system. Or think of the way one section of a spider web getting plucked sends a shivering message across the whole network.

For better or worse – and even if we might say he is justified in doing so – Whitely Strieber tends to generate fear with his works, even when he’s attempting to relate us a story of hope and wonder, as in the glorious notion that we all survive death

That’s what’s vexing about Whitley Strieber. It doesn’t have to be that way.

Ken Korczak is a former newspaper reporter, government information officer, served as an advocate for homeless people as a VISTA Volunteer, and taught journalism at the University of North Dakota for five years. He is the author of: BIRD BRAIN GENIUS

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Intuitive Counselor Mellisa Feick Offers A ‘Radical’ Approach to the Akashic Records In Engaging, Readable Book


Review by: KEN KORCZAK

This book offers a “radical new approach” to the Akashic Records. That would suggest there is an “old, tired approach” to leveraging what is both a steady artifact of ancient wisdom and what has become a staple of modern New Age thought.

Certainly, what we call the Akashic Records today can be found described in the texts of the world’s oldest systems of thought, philosophy and religions. That includes Vedic texts, the Torah and Kabbalistic writing, such as the Zohar, Greek oracular divination, Sufi wisdom, even the Bible — and much more. To take just one specific example, the sages in the Indian regions of the Himalayas proclaimed that the soul of every person — their “jiva” or “atma” — was recorded in a divine “book” that would remain for eternity as a permanent record of every second of every person’s life.

Fast forward to the 20th Century and we find guys like Edgar Cayce telling of his ability to travel to that certain etheric or astral realm where he could find a specific “book,” not only for the life of a specific person, but information on absolutely any event that ever happened in history — or all of time.

C.W. Leadbeater

The Sanskrit word ākāśa translates variously as “sky,” “aether,” or “space” and is also sometimes said to refer to “the memory of nature.” The term Akashic Records itself was not in popular use until a founding member of the Theosophical Society, C.W. Leadbeater, solidified the concept in his 1899 book CLAIRVOYANCE. But it should also be noted that Henry Steel Olcott wrote in his BUDDHIST CATECHISM about, “a permanency of records in the Akasha, and the potential capacity of man to read the same when he has evolved to the stage of true individual enlightenment.”

But wait — there’s more. The case for the Akashic Records has gotten even better in recent years.

A growing cadre of outlier physicists and cosmologists are floating the theory that we live in a simulated universe, a virtual reality — a kind of cosmic computer. That would mean that each of us are akin to an avatar playing in the greatest computer game environment of all time. That would also suggest that when we die, our avatar could be “saved.” Everything we ever did, thought, hoped and dreamed would be kept like a computer file — and in this way we would never die. Furthermore, the “program” that is/was our life can be “called up” or “resurrected” at any time.

This is the way physicist Frank Tipler or Tulane University described it in his 1994 book, The Physics of Immortality. He makes a strenuous argument (along with a lot of mind-numbing math) that if our universe is not already a cosmic computer, of sorts, it is evolving toward becoming one — something he compares to Pierre Teilhard de Chardin’s concept of the OMEGA POINT.

In Frank Tipler’s scenario, being “saved” like a computer file is almost an exact analog for being “saved” for immortality in the traditional religious sense. Perhaps all of those blinking “Jesus Saves” neon signs hanging over those gritty inner-city missions have something going for them after all!

About a decade after Tipler’s book came out, noted Oxford University philosopher Nick Bostrom made waves with his proposal that we live in a simulation in 2003. Since then, the idea has continued to gain remarkable momentum, even among popular mainstream scientists, such as astrophysicist Neil deGrasse Tyson. He puts the odd that we live in a virtual reality at 50-50.

Tom Campbell

Perhaps the foremost champion of this model is TOM CAMPBELL, a physicist who enjoyed a long career working on hard, nuts-and-bolts science projects in missile defense and statistical risk analysis for NASA. In his exhausting trilogy of bookS titled, My Big TOE (Theory of Everything), Campbell lays out across some 900 pages in excruciating detail — technical, scientific and philosophical — his argument that we live in a virtual reality, a digital universe in which he says, “all reality is data.

Implicit within Tom Campbell’s model is the existence of what is essentially the Akashic Records. Campbell would say (and has said), “It’s all data, and that data is available to anyone who can learn how to access it.”

So all of this is a long-winded way for me to say that no reader should dismiss MELISSA FEICKs book as just another selection in the popsugar New Age candy store. She’s on solid ground here working in a system that combineS an ancient pedigree with growing support from modern hard science.

But what is her “radical” new approach? I won’t give too much away except to say that Feick models the Akashic Records — or perhaps re-envisions them — away from the standard “cosmic library” motif that has long characterized it. Up until recent times, using a “library metaphor” to describe the Akashic Records has made sense because a library has been the closest physical analog we have to a cosmic storehouse of knowledge.

But we’re in the digital-computer age now and print books, and even libraries, are fast becoming passe. Furthermore, classical physics has given way to quantum physics. Every culture tends to frame transcendent ideas using terms and imagery that reflect what we have now, and what we can understand in terms of framing comparison models today.

Melissa Freick

So Feick describes for us an Akashic Records that looks more like a combination of cosmic helical DNA model and multidimensional levels that fit togethers in a dynamic, ascending spiral configuration that is fluid and omni-directional and interactional. She suggests that, through a process of meditation and focus of intent, anyone can reach the Akashic Records, find their own “strands” and manipulate them to make corrections that will re-wire or reprogram our entire lives and existence, past, present and future.

Worried about the burden of “bad karma?” No problem, says Melissa Feick. Now karma is erased, rewritten or rendered mute by some simple adjustments in the patterns that represent our own “file” in the Akashic Records. I’m not being glib when I say “simple adjustments.” I’m only echoing the way Feick describes the process. Not only can anyone learn to access their own Akashic file, she says, it’s super easy.

Feick herself is a working intuitive counselor and spiritual guide who uses her gifts and developed abilities to serve clients who want to know more about what’s in their own Akashic files. She holds a degree in psychology and also lists a variety of skill on HER WEBSITE, from Reiki Master to Angel Therapy Practitioner.

This book is well written with a relaxed, easy prose that is easily accessible and engaging for the average reader. She never lectures or talks down to us. She offers lofty ideas without being preachy. The tone is friendly, positive, chatty and informational. Melissa Feick seems a happy warrior eager to share her gifts and life experiences which clearly have been focused on helping other people in big ways and small in the daily game of life.

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Ken Korczak is a former newspaper reporter, government information officer, served as an advocate for homeless people as a VISTA Volunteer, and taught journalism at the University of North Dakota for five years. He is the author of: BIRD BRAIN GENIUS

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The Long UFO Journey of Greg Bishop “Defies Language”

IDLCover

Review by: KEN KORCZAK

Greg Bishop is an aging UFO warrior who got sucked into the bizarre vortex of ufology when still a young boy – and now all these decades later he bears the psychic scars that only UFO investigation can inflict upon the eager seeker who just wants to know the truth – but where finding any truth may be impossible.

His efforts have been persistent and bordering on heroic. In this book Mr. Bishop takes us on a breezy sojourn through his thoughts and experiences gleaned from his persistent pursuit for understanding of the UFO phenomenon. In these pages, he often veers from one extreme to another – from the brutal realization that much about UFOs is depressing bunk, while at the same time, acknowledging there remains tantalizing evidence that something “nonhuman” has been interacting with mankind for thousands of years.

But just what is it? That’s the question that torments Greg Bishop. That’s what makes him the kind of UFO junkie I can appreciate. Bishop has learned to live gracefully with uncertainty. He knows that just when you think you’ve found some solid footing about who or what UFOs are, the game changes suddenly and quixotically. Fact becomes fallacy, truth becomes fraud – but just when you’re ready to chuck it all and give up, guess what?

Something happens to suggest that: “They’re he-e-e-r-e!” And so the devotee is off and running again on the universe’s most mercurial quest.

George Adamski: Perhaps the most famous of the ’50s Era Conactees

Howard Menger: Was this famous Contactee a fraud, a CIA asset, or the real deal?

His journey has sent Bishop reaching for answers and grappling to suggest new models. For example, he suggests that the 1950s contactee era, ala the likes of George Adamski, Howard Menger, et.al., might be viewed (or explained) as a kind of post-modern art movement – an attempt to inject radical new ideas into the collective consciousness of humanity leveraging the benign space visitor motif. Was this “art movement” a conscious creation of the various Adamskis and Mengers? Were they blatant bunko artists — or perhaps they were unwilling pawns of actual alien influences, meddling with the mind of humanity for a planetary social engineering project?

Who knows.

While Bishop conjures new paradigms, he also decries our penchant to latch on to pre-packaged explanations for what UFOs are, especially the long-dominant belief that, “They are alien beings from other planets visiting the Earth in nuts-and-bolts spacecraft.” He says a statement like this is “so loaded with semantic baggage … it is meaningless.” He writes:

“Belief implies a lack of critical thinking. UFOs are automatically assumed by most to be structures vehicles piloted by intelligent being from other planets. They don’t need to be … there are many reasons that a skeptical mindset and lack of assumptions make the subject more interesting and worthy of consideration. To settle on one explanation is to shut down serious inquiry …”

Greg Bishop

That goes for all the theories and models floated in the past 50 or 60 years – that UFOs are interdimensional beings/craft, time travelers, ancient ‘gods’ or exotic but indigenous races that co-evolved with humanity right here on earth, or that the UFO phenomenon is a manifestation of consciousness evolution of the psyche of mankind itself.

Maybe it’s all of the above – but ultimately – the brutal fact is that we still find ourselves mired in a radical state of: “We just don’t know.” That does not mean that we should stop clawing at our intellects to eke out some measure of understanding, Bishop suggests.

So this is a pretty good read – and that goes for both the extremely experienced UFO enthusiasts (guys like me who have read thousands of books and articles and done actual investigations) to the casual reader who likes to browse a UFO book occasionally to scratch a UFO itch.

Be aware that this is one of those books that has been cobbled together from a collection of the author’s blog posts and other published articles from over the years – these kinds of books tend to suffer a bit from lack of focus or a certain unevenness in the quality of what’s included and what probably should have been cut.

However, for the most part, IT DEFIES LANGUAGE challenges, entertains and invites us to stretch our minds. Greg Bishop urges us to think outside the box, shake off our preconceived notions, guard against getting rutted in outmoded models, avoid fallacies and traps – and beseech our Higher Power of choice for the wisdom to know the difference.



Ken Korczak is a former newspaper reporter, government information officer, served as an advocate for homeless people as a VISTA Volunteer, and taught journalism at the University of North Dakota for five years. He is the author of: BIRD BRAIN GENIUS

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No serious indie writer should be without this book on how to self-publish and sell a lot of books

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Review by: KEN KORCZAK

My favorite saying in the writing business is:

“It takes a certain brilliance to write a book, but it takes a genius to sell that book.”

Well, that means that MARTIN CROSBIE is some kind of genius because he sells a lot of books. Even Amazon.com itself named him one of their “success stories” among self-publishers in 2012.

Now this ingenious indie author wants to help other wannabe writers sell their books. This offering, HOW I SOLD 30,000 eBOOKS ON AMAZON KINDLE is jammed-packed with advice on how to climb that mountain.

Crosbie not only knows how to sell books, he knows how to sell what he’s selling. For example, I like this bit from the early pages:

“Due to a number of factors, and luck was certainly one of them, in February of 2012 the book I wrote in the spare bedroom of my house, that over one hundred and thirty agents and publishers didn’t want, hit Amazon’s top ten overall bestseller list and stayed there for a week … I sold about eighteen thousand e-books that month. And I made $46,000.”

Yeah baby! Let me tell you, that kind of talk is absolute catnip for struggling writers everywhere. Do you know how many people want to take a ride like that with a book they labored to write in a spare bedroom in their spare time while the kids were howling, the dishes were piling up in the sink and bill collectors knocking at the door?

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Canadian indie author Martin Crosbie

But while Mr. Crosbie shows us the juicy carrot, he also gets out the stick and proceeds page after page to give writers the sobering drubbing they need and deserve – and by that I mean, he shows how writing is hard work, and selling your writing is even harder – and yet, he does it with an infectious enthusiasm that will get readers excited about what is possible.

Yes, it’s an encouraging book. Motivating!

Most of all, this book is loaded with terrific advice, solid step-by-step instructions and meaty insights gleaned from his own successes and bitter failures on his road to achieving a significant measure of publishing success.

From the importance of editing (he really hammers away on this), to the vital factor of navigating the jungles of social media, to book cover design, to developing relationships with other key players in the field – and much more – no indie writer today can afford NOT to know about this stuff, and more importantly, take action and actually DO this stuff.

I borrowed this book for free using my Amazon Prime account, but it’s so loaded with advice and an excellent collection of resource links in the back, I’m going to go ahead and buy a permanent copy.

I’ve been a successful full-time freelance writer for 30 years now, and I’ve learned how to survive (and sometimes thrive) – but even someone like me can’t afford to be without a book like this on my shelf — and neither can you if you want to quit your day job and make it in the world of writing and publishing.




Ken Korczak is a former newspaper reporter, government information officer, served as an advocate for homeless people as a VISTA Volunteer, and taught journalism at the University of North Dakota for five years. He is the author of: BIRD BRAIN GENIUS

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J.R. Tomlin writes a gripping crime thriller set in medieval Scotland: “The Templar’s Cross” is a fine, fast read

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Review by: KEN KORCZAK

The Templar’s Cross is a tightly-written murder mystery set in 15th Century Scotland.

It moves along briskly and will keep readers turning the pages. Author J.R. TOMLIN vividly recreates a late medieval Perth, an ancient city of central Scotland situated on the River Tay.

Under Tomlin’s pen, the Perth of 1424 comes alive in all of its dreary, muddy, damp and noisy vitality – streets are filled with common folk, peasants and barking marketers selling kale, leeks and bloody cuts of butchered meats, as well as crusts of bread and the occasional spicy sausage.

Our hero is a Scottish Knight who is damaged goods. Sir Law Kintour was badly injured fighting the English in France at the Battle of Verneui – now back in Scotland sporting a bad limp, he is desperate to find a new patron to fight for, but who wants to hire a crippled knight?

Holed up in a drafty, seedy room above a lowly tavern, Sir Law’s luck suddenly turns when he receive a visit from a mysterious stranger who has a job for him – but it’s not the kind of work befitting a battle-tested knight.

Desperate for coin, Sir Law agrees to take on a mission which quickly embroils him in a double-murder mystery. Worse yet, he quickly becomes a prime suspect. Now he must solve the murders in just days or hang for the grisly crimes himself!

This is the second J.R. Tomlin novel I have read. I thought the first, FREEDOM’S SWORD, was an okay read, but with this offering, Tomlin shows that she has grown considerably into her craft. She is emerging as a polished writer with an excellent feel for pacing, command of place and subject, and an ability to captivate readers — immersing us in a long-past era of history that comes alive in all of its harsh majesty.

I think it’s inevitable that ‘Templar’s Cross’ will be compared with the hugely best-selling ‘Hangman’s Daughter’ by German author Oliver Pötzsch, also a murder mystery set in a grimy European city of antiquity – if ‘Templar’s’ is perhaps not as richly imagined as ‘Hangman’, it has better pacing, is more tightly written and leaves us hungry for more.

In fact, that’s my only (very minor) complaint about this book – it ends in a satisfying bang, but truly begs for an epilogue. Tomlin misses an opportunity to not only “cool down’ her readers, but to also let us enjoy a satisfying mug of ale with Sir Law as he warms his aching bones next to a peat fire while munching on a spicy sausage – as he contemplates his next mission.

But, whatever – when a writer leaves us eagerly wanting more, that means ‘mission accomplished.’ You have that feeling that you’ve just enjoyed a great book.




Ken Korczak is a former newspaper reporter, government information officer, served as an advocate for homeless people as a VISTA Volunteer, and taught journalism at the University of North Dakota for five years. He is the author of: BIRD BRAIN GENIUS

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Author Allen Tiffany master-crafts an intense Vietnam War novel

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Review by: KEN KORCZAK

This is a short, intense and gripping novel that holds the reader in a state of tension almost from first page to last, and that tension is released by a masterfully-handled description of a bloody firefight in the steaming jungles of Vietnam.

The book succeeds because the author captures the reality of war by showing us what it truly is — a frightening combination of intense boredom and endless fatigue punctuated by horrific moments of frenetic combat in which men are shot, stabbed, wounded, bleed and die.

It tells the story of a U.S. Army infantry corporal leading his men on patrols in the steamy jungles of Vietnam in an area near the Cambodian border. The area is infested with the enemy; the U.S. soldiers, some barely more than boys out of high school, are playing a constant game of kill or be killed. They are in a frightening foreign, alien environment that are the nightmarish jungles of South East Asia.

All the gloves are off – this is a bitter fight where the only goal is to see which side can kill or maim as many as possible on the other side.

It’s takes a remarkable amount of writing skill to capture the brutal reality that was the desperate fight in Vietnam. Author ALLEN TIFFANY does everything a writer can do right to place his readers inside the story — to tell a story — to create characters, set a scene, build a plot and impart a theme.

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Allen Tiffany

The writing is tight, without a wasted word. Each sentence is no-nonsense, clean and lean. What’s truly amazing is that the author manages to introduce us to five characters and brings each one of them to life as believable figures we quickly get to know – and thus we care about them and feel empathy for their dire situation.

Great writing is also about illuminating small details – the nitty-gritty aspects of just getting by – such a filling a canteen from a muddy stream and dousing it with iodine tablets — a soldier curled up in his poncho sleeping in the mud – or showing us how a knife blade can be too wide to penetrate the brain if you stab a man in the eye.

Best of all, the author understands that if you tell a story, and tell it well, all the rest takes care of itself. That is, you don’t have to get on a soapbox to rant and rave about whether you think the Vietnam War was right or wrong.

There’s no lecturing or bland moralizing. Yes, there’s a sense of guilt, regret, confusion and horror – of doing one’s duty for one’s country — but all of this falls out naturally by illustrating a situation thrust upon innocent American young men by the ever-so-wise “Powers That Be.”

YOUTH IN ASIA  is more than just a short, punchy war novel – it’s great literature.




Ken Korczak is a former newspaper reporter, government information officer, served as an advocate for homeless people as a VISTA Volunteer, and taught journalism at the University of North Dakota for five years. He is the author of: BIRD BRAIN GENIUS

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A small heartfelt gem that tells of life-after-death communication

Peters

Review by: KEN KORCZAK

This small book brought a tear to my eye, and also gave me goose bumps more than once.

It’s an honest, sincere accounting of a man’s experience of not just dealing with the death of his parents, but his real-life experience of establishing afterdeath communication with them..

Even better, it offers tantalizing evidence that when the physical body dies, the person does not. Call it what you want – the soul, spirit, energy body, higher self, mind – there is a huge body of scientific (yes, scientific) evidence that physical death is not the end.

Not only is there life after death, but we can communicate with the loved ones we have lost. They’re still there for us, they can communicate with us, and we can talk back to them. You just have to be willing to open your mind and reshape your belief system to accept that it is possible.

The incidents of afterdeath communication author Alexander Peters demonstrates in these pages proves to me that his story is authentic. I say this based on dozens of other books I have read by some of the world’s most elite doctors and scientists who have written about the specific nature of afterdeath communications.

These include: Dr. Gary Schwartz, Dr. Michael Newton, Dr. Pim van Lommel, Dr. Eben Alexander, Dr, Raymond Moody, Dr. Elisabeth Kübler-Ross Dr. Brian Weiss, Julia Assante Ph.D., Dr. Larry Dossey and that’s just to name a few.

What all of these luminaries agree upon is that afterdeath messages from our loved ones often take the form of not just direct thoughts and actual words that are heard – but seemingly coincidental symbolisms which cannot be mistaken for anything else but a message from the departed.

As this book demonstrates, these symbolic communications can be things like a special song with lyrics containing just the message you need to hear – and that song unexpectedly begins playing on your radio just as you are thinking about your loved one.

Peters tells of amazing confluences involving his cell phone and Blackberry, the appearance of a special bird, the surprise appearance of gifts – and much more.

He packs a lot into this short book. This is obviously not a slick book written by a professional writer, but rather is an honest, readable account penned by an ordinary middle-class guy from a small town in England.

It’s a significant contribution to the ever-growing body of literature by scientists and ordinary folks alike who have come to realize — beyond a reasonable doubt — that life goes on after death. The fact is, our loved ones never leave our sides. Even after death, they’re still right there for us, and close by.

To find this book online, go here: MY MUMMY AND DADDY

Ken Korczak is a former newspaper reporter, government information officer, served as an advocate for homeless people as a VISTA Volunteer, and taught journalism at the University of North Dakota for five years. He is the author of: BIRD BRAIN GENIUS

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The Ghost of Ernest Hemingway: Still Eloquent in the Afterlife

51fl3+IFDmL._SY344_BO1,204,203,200_KEN KORCZAK:

This is the second FRANK DeMARCO book I’ve read. The first was “A Place To Stand,” and I think anyone who reads both of the above will be sufficiently impressed that here is a guy who not merely another frivolous New Age writer raving from the fringe, or some person seeking to capitalize on the name of Hemingway merely to sell a book.

This is an intelligent book of substance that should intrigue long-time Hemingway fans, and give us pause to consider the implications of what it might really be like to have a one-on-one chat with an American literary giant.

There is ample historic president for these kinds of books, in particular, Jane Robert’s (author of Seth Speaks), “channeling” of the American philosopher William James. That book came out in 1977; James died in 1910.

Another famous example: Emily Grant Hutchings and a medium using an Ouija board took “dictation” from the spirit of Mark Twain to produce an entirely new novel, “Jap Herron.” It was published in 1916, six years after Twain’s death.

In 1869, a medium “downloaded” a fresh novel written by the deceased Emily Brontë; It’s presented in a book called “Strange Visitors” edited by an esteemed legal scholar, Henry J. Horn.

So DeMarco is backed by solid tradition, and the precedent of others who have written amazingly high quality books in this way.

Beginning in 2004, DeMarco, using the time-honored, method of automatic writing, made psychic contact Hemingway and engaged in a vigorous post-death conversation with Hemingway. The dialogue resulted in this book.

In it, Hemingway clears the deck on dozens of misconceptions he says numerous biographers and academics have besmirched upon his life, work and legacy over the years.

Not that he’s particularly angry or blames living biographers who, after all, only gave it their best shot. It’s just that, Hemingway says the game is rigged. Writing a truly accurate biography is fundamentally impossible. The deceased author tells DeMarco:

“To write a true biography you would need to do impossible things, such as:

* See and feel and think and react as the subject would have done.

* Contain within yourself all the subject’s background, including people, places, books he’s read, the news of the day (day by day), the daydream he had, the talents and aversions and every aspect of his personality.

* Know everything that had ever happened to him and some that happened only around him, and from multiple points of view.

* Know every strand that operated within him, and in what proportion and in what circumstances, including the tremendous amount he didn’t realize himself.

*Know at least something of why he came into life (or, you might say, what the potential or that particular mixture of elements was) and see how one thing could express only at the expense of others, and hence what tensions set up.”

That all makes sense, when you think about it. Certainly, the dead Hemingway has a knack for bringing an unclouded, common-sense kind of wisdom to vexing questions and thorny issues.

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Frank DeMarco

Another example: DeMarco asks Hemingway to explain something controversial the macho-man writer once said, that he would “rather beat someone up than read a good book.” (This in light of Hemingway’s well-known love of boxing and barroom brawling).

Hemingway, from his perch in the Afterlife, defends his statement this way:

“All right … who are you talking to? In this case I mean, what age Hemingway? The answer you’d get from a 20-year-old isn’t what you’d get ten years later, or thirty, or after-the-fact entirely … the whole point of living is not to be the same year by year, but to change — I didn’t prefer beating somebody up to reading a good book. Just count the number of people I beat up and the number of books I read!”

Still eloquent in death, Hemingway scores again!

DeMarco’s book is loaded with gems like these. Hemingway’s quips zero in like sharpened darts, hitting dead-on rhetorical bullseyes time and again.

If this is not the actual spirit of Hemingway speaking through DeMarco, then DeMarco himself is one clever wordsmith.

But wait a minute — DeMarco cautions us that just who is actually communicating here is a tad more complicated than you might think. Here is the way DeMarco struggles to define his trans-death connection with the deceased writer:

“I think you mean to say that Hemingway 1899-1961 and DeMarco 1946-20-whatever do not touch, and that I have been thinking that DeMarco-46 was touching the spirit of Hemingway-99, but it may be more accurate to say that the larger being of which DeMarco-46 is a part is communicating with the larger being of which Hemingway-99 is a part, and the two time-bound parts are having a sort of virtual conversation.”

In other words, most people assume that when you contact the spirit of a dead person, you are speaking to the exact person/ego-construct/personality of that same person when he or she was alive.

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Papa

But there is not a Person A = Person A situation vis-a-vis the live version of a person and the afterlife version of that same person.

After we pass over to the other side, we apparently expand our consciousnesses to embody the “whole self,” or perhaps “soul self.” We become aligned with the so-called Oversoul.

For the dead, the ego-self recedes into the background because the ego is actually an elaborate, artificial coping/defense construct designed to function in the environment of our earth-bound, physical matter reality. The ego is too often shaped by fears and desires, and is a reactor rather than an actor within a material system. Yet, after death, we can still operate from an ego-based platform if we want to …

What I really like about Afterdeath Conversations With Hemingway is that it reads not like the typical spooky and/or smarmy medium-channeled stuff, but as an insightful, intelligent and piercing series of observations by a savvy writer, who just happens to be positioned in the non-physical realm.

DeMarco’s book makes the extraordinary situation of speaking with the dead seem as commonplace as chatting with your Uncle Ned via Skype.

With dogged attention to detail, DeMarco combs through the issues that were the passions of Hemingway’s vigorous life — World War I, the Spanish Civil War, the American psyche, the artistic culture of Europe, big game hunting, deep sea fishing, writing and literature. Hemingway discusses what it meant to be an American, an emerging modern man in a nation straining to become the next superpower.

What about his suicide? Hemingway is actually rather blasé and dismissive of the whole issue. He called suicide “the family exit.” Hemingway’s father committed suicide, as did his brother, Leicester, and sister, Ursula. The dead Hemingway says of his suicide:

“When I left the body — when I blew myself out of that situation — I knew what I was doing, and why. I wasn’t emotionally distraught, I wasn’t out of my mind, and I wasn’t even depressed — once I figured out how to get out … the bad effects of suicide have a lot more to do with attitudes that with the given act.”

After his death, Hemingway tells DeMarco that he now manifests himself in the spirit world as a 30-something-year-old.

“I went back to being in my mid-thirties,” Hemingway said. “I was happy then. I’d taken my lumps and I’d already left Hadley, (first wife Hadley Richardson) which was a stupid thing to do but there you are, and I was in the prime of life.”

The bottom line: This is a marvelous read, well worthy of five stars, and gets my top recommendation.


Ken Korczak is a former newspaper reporter, government information officer, served as an advocate for homeless people as a VISTA Volunteer, and taught journalism at the University of North Dakota for five years. He is the author of: BIRD BRAIN GENIUS

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Real Santa is an old fashioned, feel good Christmas tale with a modern edge

9781938467943_FC1Review By KEN KORCZAK

In a society that has grown deeply cynical, lost faith in its old crumbling traditions, and where belief systems change as fast as Internet trends, perhaps only extreme measures can recapture the magic of innocence lost.

That’s what prompts freshly unemployed engineer George Kronenfeldt to hatch a thoroughly lunatic plan designed to do nothing less than prove that Santa Clause is real.

Specifically, he wants his nine-year-old daughter (who is beginning to doubt) to believe just a little bit longer.

Unfortunately, bringing back a bit of faith to a cold-blooded, materialistic world could cost Mr. Kronenfeldt everything — his house, his marriage, his career, his reputation — he may end up financially ruined for life.

If the book I’m describing sounds a bit heavy, think again. This latest offering by Chicago-based writer William Elliot Hazelgrove is hilarious, light-hearted sugar plum fun. Real Santa is an over-the-top Christmas fantasy — but which requires a heavy dose of willing suspension of disbelief by the reader. That’s because the central plot premise is pretty outrageous.

But think of the movie “It’s a Wonderful Life” — it juxtaposes the dreary life of George Bailey and his battle with greed, depression and alienation with a Christmas angel and the magical promise of a mythological Christmas spirit.

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William Elliot Hazelgrove

In fact, the book references Hollywood Christmas movie classics throughout the narrative and plays on their themes. Miracle on 34th Street, A Christmas Story, White Christmas, Elf — Hazelgrove has leveraged the central feeling and heart of these classics and penned an updated tale couched in today’s world of YouTube, smartphones, video cameras, greed, capitalism and materialism.

However, there is also a certain vibe from another kind of Christmas movie — “Bad Santa.” In that movie, Billy Bob Thornton played a foul-mouthed boozed-up burnout mall Santa who is actually a criminal.

I say “a certain vibe” because there’s an element of gritty edginess here in Real Santa that includes a lot of references to reindeer defecating and urinating, Santa figures smoking cigarettes as they curse and moan about nagging wives and busted marriages — there’s at least a couple references to the “stimulated” male body part — for good measure, Old Saint Nick makes an obscene gesture via dropping his pants — oh, and did I mention that our novel’s hero is not above getting into a physical assault dust up with a white-haired old school teacher, and he also takes a butcher knife to inflict criminal property damage on his neighbor’s tasteless Christmas decorations?

Yes, for the most part, the gooey sentimentality and sticky, smarmy Christmas magic schlock is laid on thick, but this story takes place in Chicago, the Murder Capital of the Midwest, not A Christmas Story’s Hohman, Indiana, and the writer is William Hazelgrove, not Jean Shepherd.

And so, there is a certain irony: A delightful book such as Real Santa suggests that while you might be able to recapture that old Christmas magic with extraordinary effort, you can never really go home to quite the same Christmas magic again.

Ken Korczak is a former newspaper reporter, government information officer, served as an advocate for homeless people as a VISTA Volunteer, and taught journalism at the University of North Dakota for five years. He is the author of: BIRD BRAIN GENIUS

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