Tag Archives: New Age

The Betty Book is a Masterpiece of “Spirit Writing” Literature Channeled by Betty White With Help From Her Famous Author Husband Stewart Edward White

Review by: KEN KORCZAK

Stewart Edward White was a popular author in his day. From about 1900 through the early 1920s he published some three dozen books, both fiction and nonfiction, and they sold well.

His first book, The Westerners, was made into a Hollywood movie. Eight of his books would get movie treatment. The majority of his work featured outdoors themes that explored America’s “vanishing wilderness.” He wrote about his personal adventures with camping, cabin-building, panning for gold, hunting, fishing canoeing, Alaskan adventures and hiking deep outback trails.

His writing made him the first to be awarded the rare designation of Honorary Scout by the Boy Scouts of America in 1927, a recognition also given to the likes of Charles Lindbergh and James L. Clark. He hobnobbed with such luminaries as former President Teddy Roosevelt. Many of his works were later adapted into TV shows for The Wonderful World of Disney.

It was in 1919 that his life took a strange detour.

Stewart and his wife were at a party where someone suggested they noodle around with an Ouija board, “just for laughs.” Stewart describes himself as a skeptic, but more so, just basically unfamiliar and uninterested with occult phenomenon and esoteric thought. His overall notion was that psychic phenomenon had “been disproven.”

A Ouija board for sale in 1919.

His party friends disliked the planchette normally used with an Ouija board so they substituted an overturned whiskey glass. No one was in a serious mood so they asked goofy, inane questions. They hooted with laughter and scoffed with derision as the Ouija board only seemed to be obliging them by spelling out absurd and simplistic responses.

At one point, however, the Ouija expressed frustrations with the party folks. It abruptly spelled out: “Why do you ask such foolish questions?” This intrigued Stewart White.

But there was another thing that caused Mr.White to become even more intrigued — it was the way that shot glass moved under his fingers. He was aware of the scientific theory that such movement was caused by involuntary motions of the hands driven by cues from the subconscious mind — what today is called the ideomotor effect — and yet, he had a nagging sense this wasn’t what was happening. He couldn’t shake the feeling that “some other force” was involved.

One other thing gave him pause. At one point, the Ouija started spelling out the name “Betty” over and over again. Betty happened to be Stewart’s wife. She was standing off to the side no longer paying attention to the party game. Her husband told her the Ouija was requesting her participation. Betty shrugged her shoulders and obliged. She sat down and put her finger on the shot glass. The Ouija then began spelling out over and over again: “Get a pencil … get a pencil … get a pencil.”

The small peculiarities of the Ouija party captivated Betty just enough to pick up a pencil a few days later. Yes … despite having little or no interest in the occult or spiritualism … she decided to go ahead and try her hand at automatic writing!

A rare photo of Betty White along with her husband Stewart Edward White.

Automatic writing is when someone writes down information without conscious intent. The hand seems to move on its own as it spells out words. The paranormal suggestion is that the writer has set his or her mind aside and is channeling information from an unseen agent, such as a spirit or nonhuman entity of some sort.

Those who lean skeptical say it is information percolating up from the subconscious, or basically the same ideomotor effect that drives the Ouija. There is no outside influence. This information is coming strictly from inside the brain of the writer — who is also probably just deluding him or herself, the skeptics say.

As for Betty White, she just put all theories aside. Neither she nor her husband proclaimed to have an agenda, no investment in any particular theory, philosophy or occult influence — and for some extraordinary reason — Betty began the fantastically tedious process of trying to make headway with automatic writing!

This was remarkable — because this effort can be elusive and banal in the extreme. And for what reward, exactly? It involves endless hours of sitting with a pencil poised over a sheet of paper and getting into a certain frame of mind — a state that would allow her hand to flow, to seemingly write stuff down as if the her hand had a mind of its own.

A 19th Century depiction of automatic writing.

I dare say 99 out of a 100 people … no, more like 999 out of a 1,000 people … who give this a try once or twice give up in abject frustration. But Betty persisted. She was able to generate just a few words and phrases at first. Later came more complete sentences. The information imparted by these phrases and sentences was just intriguing enough for Betty to soldier on. The interest, support and participation of her husband was certainly helpful.

Betty eventually reached the point where she could generate pages of material via automatic writing. She then graduated to what today we could call “channeling.” She sat back in a mild trance state and dictated by voice information coming directly into her mind while her husband wrote it all down.

But just with who or what was Betty communicating? Ghosts? The spirits of dead people? Some sort of super-intelligent disincarnate intelligence? It seemed to be the latter. It was through a suggestion of a friend that Betty and Stewart decided to call their unseen source “The Invisibles.”

That’s not what the nonphysical entities called themselves. Indeed, these beings who were so eager to speak through Betty were also highly reluctant to talk about themselves. The details about their own true nature would be “an unnecessary distraction,” they said. The information they wanted to impart to the human race was paramount.

Stewart Edward White

The Invisibles insisted that what they wanted to tell humanity was not just urgent, but “extremely urgent.” They said humankind had become lost is a miasma of trivial thoughts and petty pursuits They said that “thoughts are things,” and therefore, bad thoughts, negative thoughts and useless thoughts were doing great damage to the human condition.

They told Betty and Stewart that the dominant philosophy of materialism — that people were mere physical matter interacting with a purely physical world — was a dead end. They said humanity had become cut off from “a larger truth and reality” about their individual and collective existence — which they said extends far beyond the borders of the physical body.

They said the human brain was not merely a lump of meat acting and reacting to stimulus from the material world. The suggestion was that we had become convinced that we are mere biological machines, and that our reality ended at the border demarcated by the outline of our skin.

The Invisibles then imparted a vision of each human being as a much vaster entity composed of a nonphysical component that was just as real as the physical body. Although the Invisibles, Betty and Stewart all disliked loaded terms such as “spirit” or “soul” because of the religious baggage attached to these definitions, they nevertheless used them for the sake of convenience.

The Invisibles stressed the idea that a person’s “soul” was also a bona fide “thing with actual physical substance.” About this, Stewart  White asked them:

“I may be literal-minded. But I am going to ask whether this spiritual body as you describe it is a symbolic statement meant to convey a concept or whether you mean it literally as you describe it, as a material thing.”

The Invisibles answered:

“It is ACTUALLY MATERIALLY THAT in its own condition of health and development. It is flesh and it is blood.It may not be the same kind, but it is as real, as warm, as living as your own.”

At this point Betty paused to actually experience directly what the soul or spiritual body was like. After about a half hour, she offered:

“It is a pulsing, living body purified of organic frailty … durable, flexible, susceptible of more powerful action through susceptibility of sense.”

And so the majority of the information offered in The Betty Book is a kind of instruction manual for how human beings can expand their vision and understanding of themselves and get into greater touch with what is actually the larger aspect of who we are. Think of the physical body as the tip of the iceberg that peaks above the surface of the water — and the nonphysical or “spiritual aspect” as the greater, more significant and more important component of each individual person.

Tina Keller M.D., a pioneer of Jungian analysis.

The kind of information and instruction offered by The Invisibles through Betty is some of the most remarkable channeled material I have ever read. Every page is deeply substantive and intellectually challenging — this is anything but more of the same New Age pap offered since, say, the 1960s, when a resurgence of channeled writings began to re-emerge  into popular circulation on our bookshelves.

Even the great Swiss psychologist Carl Jung was deeply impressed by The Betty Book. Shortly after The Betty Book was published Jung gave a copy to his long-time associate Dr. Tina Keller, a pioneer in psychiatric medicine and psychoanalysis. Keller said she read an re-read The Betty Book and all of the subsequent channeled books that followed it. Keller said:

“Betty White, the brilliant woman who had accidentally discovered her mediumistic gifts, dictated to her husband, the writer and explorer Stewart Edward White, a long series of teachings, full of wisdom and salty humor, for practical application of living. They were communicated by different personalities of quasi-personalities whom the Whites called “The Invisibles” …. My own experiments, based on the books, proved this to be both true and extremely important.”

The late Jane Roberts and “Seth”. Roberts channeled the disincarnate entity to write dozens of books.

As for myself, I can think of no greater compliment to make about The Betty Book than it offers channeled information on par with the work of the great Jane Roberts, author of the Seth books. Roberts is the gold standard for intelligent and authentic channeled material, in my opinion.

Betty White’s information is far superior to, say, the healing advice and Atlantis predictions of Edgar Cayce, or the largely bland and vague pronouncements we get from so many of the popular psychic mediums selling books today.

There’s some additional information in the appendix that is fascinating. Stewart and Betty get together with some like-minded friends and conduct a series of experiments in which The Invisibles bring forth a variety of physical phenomenon to demonstrate their reality. This includes producing visible auras around the bodies of the participants. The Invisibles also conjured a series of “masks” which appeared over the face of Betty causing her to look like her child self. Other masks gave her more bizarre, exaggerated caricatures.

After the success of The Betty Book, Betty and Stewart produced several more volumes derived from Betty’s mediumship, the most successful of which was THE UNOBSTRUCTED UNIVERSE released in 1940. This book sold so rapidly that the printers had difficulty keeping up with month-to-month demand.


I think it’s significant to note that the financial success of all the channeled Betty books was no big deal to Stewart and Betty White. They were fantastically rich and had been so from birth. Both were the children of multi-millionaires. Betty was from one of the most venerable aristocratic families of Rhode Island. Stewart’s grandfather and father made millions in the lumber business. Stewart and Betty lived an exciting lifestyle of globe trotting, yachting and exotic adventure. That means the old skeptic’s charge of “they were just selling sensational books to make money” cannot apply.

It’s safe to say that Stewart Edward White, his books and the metaphysical books he produced with Betty are largely forgotten today. Some of them were reprinted as paperbacks with sensational titles and lurid images in the 1970s. They were sold in airports and drugstore racks designed as impulse buys for folks with casual interest in the paranormal.

Whatever the case, Betty White’s channeled information eloquently edited and assembled by her talented husband deserve a prominent place in the pantheon of the best metaphysical writings ever produced.

NOTE: You can read The Betty Book for free on the Australian Project Gutenberg site here:  THE BETTY BOOK FREE

ADDITIONAL NOTE: You may be interested in my reviews of similar books, just click the links below:

AFTERLIFE CONVERSATIONS WITH KEN KESEY (AND OTHERS) BY WILLIAM BEDIVERE

THE GHOST OF ERNEST HEMINGWAY BY FRANK DEMARCO

GHOSTS I HAVE SEEN AND OTHER PSYCHIC EXPERIENCES BY VIOLET TWEEDALE

A VOYAGE TO ARCTURUS BY DAVID LINDSAY

APPLICATION OF IMPOSSIBLE THINGS BY NATALIE SUDMAN

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Ken Korczak is a former newspaper reporter, government information officer, served as an advocate for homeless people as a VISTA Volunteer, and taught journalism at the University of North Dakota for five years. He is the author of: BIRD BRAIN GENIUS

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First time novelist Matthew Félix delivers great escapism and some light philosophy with “A Voice Beyond Reason”

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Review by: KEN KORCZAK

Pablo is an ordinary 20-something man living in a quaint Spanish village near the Mediterranean coast. He finds himself leading a simple, yet near ideal life. He’s employed in his mom-and-dad’s small grocery store. He has a pretty girlfriend, a cadre of good pals, a motorcycle … and he belongs to a supportive, tight-knit community.

But Pablo’s world is about to be shattered by tragedy. Suddenly, his comfy foundation is pulled out from under him. So many things he took for granted are gone.

The upending of his pleasant existence launches him on an unexpected journey of self-discovery that may not have happened if fate hadn’t thrown him a painful curve ball.

His journey of self-discovery manifests as a struggle between to competing viewpoints of modern life:

One is the dominant paradigm today, the pragmatic rationalism of a materialistic, scientific world view – versus that which many people today believe has been suppressed – a perspective focused inward on intuitive, non-rational, nonlinear and feelings-based cues that can lead to insights that may seem unrealistic at first, but tend to carry greater meaning, and ultimately, deeper value.

If I’m making this seem like this is a book of deep philosophy, it’s not that, or at least doesn’t read that way thanks to the skillful way author Matthew Félix lays out his story, so much of which takes place on surface, and where the action is stalled only occasionally for the deeper lessons the author wants to describe.

The latter is provided by the appearance of a classic figure of myth, literature and lore – the “Wise Old Man,” described as an archetype by the great Swiss psychologist Carl Jung, and “a stock character” by Northrop Fry’s “Anatomy of Criticism.”

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The archetypal Wise Old Man instructs a youth. Illustration by Gustave Doré

In this case, it’s the mysterious Victor Sarquino, a man with deep roots in the Andalusian region but who has not been seen in Pablo’s village for more than a quarter century, only to return suddenly for unknown reasons. He’s the classic archetype: Elderly, white bearded, piercing blue eyes and brimming with sage advice. (Think Gandalf, Merlin, Obi-Wan Kenobi …)

If there’s any weakness to this novel it’s the way Pablo and Victor engage in a series of philosophical dialectics that stops the flow of the narrative so that our hero can pepper his mentor with (often whiny) questions, prompting the Wise Old Man to dole out his wisdom, which border on becoming rather preachy lectures for us readers.

The great strength of this book, however, is the way Matthew Félix’s weaves spectacular observations of nature into the flow of the narrative. Because it’s set in the one of the most ancient and picturesque regions of the world, the Mediterranean coastal regions of southern Spain, the author has abundant material to leverage.

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Matthew Félix

The natural environment takes center stage as a major character of the novel. Also, Pablo appears to gain strength, wisdom and insight from engaging with the spectacular scenery — rugged mountains, sparkling oceans, and splendid landscapes graced by groves of olive, almond or carob trees. There’s also misty caves, mountain goats, falcons, wildflowers and Neolithic rock formations to invoke a deeper sense of place and mystery.

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The Alhambra of Granada, Spain Photo by ángel mateo

I must also mention Mr. Félix’s obvious appreciation for ancient Moorish architecture and references to the passing cultures of the Phoenicians, Greeks, Romans and Carthaginians – all of whom vied for dominance of this resplendent land for thousands of years – and this enriches the narrative with a profound acknowledgment of the importance of history.

Unlike the rather rote dissertations on intuition and inner wisdom we get from the dialog with old Señor Sarquino – the author deftly allows us experience the profound landscape of timeless, romantic Spain through the eyes of his main character – and this is where the novel truly sores.

There is one aspect of the novel that remains a bitter disappointment to me – but I will not discuss that here – for the very reason is that I know that 95% of other readers will disagree with me on this issue. I’ll leave it up to you to figure out what I might be  talking about … if you even can.

All in all, though, this is a fine first novel that provides great escapism, a just profound-enough philosophical message to inspire, and an interesting enough plot to keep us turning pages while we root for the protagonist and cheer him forward on his journey of discovery.



Ken Korczak is a former newspaper reporter, government information officer, served as an advocate for homeless people as a VISTA Volunteer, and taught journalism at the University of North Dakota for five years. He is the author of: BIRD BRAIN GENIUS

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Maximus Freeman delves into his own psyche seeking the answers to spiritual growth

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Review by: KEN KORCZAK

This book has an intriguing title, and it is aptly chosen because the author is attempting to dig into his own psyche, striving to uncover the greater meaning of what makes himself tick. He is on a courageous mission to find spiritual growth, but also to relieve the fundamental suffering that all human beings feel – what the Buddha called “the dukkha.”

The dukkha is the agony of the self. It’s that all-pervasive, undefinable pain and misery we feel that seems to come from everywhere and nowhere. It can be depression, it can be anxiety, it can be alienation, it can be a nagging sense of dissatisfaction, it can be loneliness, it can be persistent anger and contempt for others.

Many people today attack this suffering by reading the reams of self-help books on the market today. There’s never a shortage. Suffering is a universal phenomenon and wherever you find a universal problem, you’ll find hundreds of people offering a solution.

Like many people, the author has spent years in the New Age candy store, devouring the endless tomes of self-help gurus from all walks of life. He acknowledges the drawback of this approach. In the Prelude, he writes:

“Many books are informative and helpful, but usually within a week or two, I have forgotten most of what I have read and have resorted back to my old comfortable ways of being.”

His goal is to make this book different – more practical, effective, useful and leaving the reader with genuine tools that will get the job done – the relief of suffering and the discovery of greater spiritual meaning.

Does he succeed? Yes, in part, I think he does. His approach is at times brutally honest and sincere. His effort to penetrate to the fundamental elements of what makes us unhappy – and provide solid solutions — is downright heroic. MAXIMUS FREEMAN is clearly an author who deeply cares about his readers. He honestly wants to help you by showing how he tried to help himself.

He gets the job done partially with a lot of heavy leveraging of other self-help luminaries who are giants of the field – he quotes liberally from Gary Zukav and Dr. David R. Hawkins, for example. But he also dabbles in a bit of light channeling, connecting with a source he calls “The Universe,” from which we get insights in a question and answer format.

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Maximus Freeman

Mr. Freeman also serves up some of his own advice, some of which comes off as perhaps a tad “corporate speak” in flavor, as when he offers his “Mechanisms of Transformation” which he describes as a “six-step spiritual maturation process.”

I don’t give this book my tip top rating only because I set the bar very high in this genre. As we all know, entire forests have been cleared to accommodate the truck loads of self-help books published year after year, decade after decades.

Consciousness Archaeology, although a fine book, is not destined to become a classic of the field. The structure of the book is a tad disjointed and uneven. I also found more than a few points I might quibble with, which I won’t air here – but when a book is just a 100 pages, it should have that power-packed “this is a home run” feeling or “this is a small gem” aura, which it just doesn’t have for me.

For example, “The Lazy Man’s Guide to Enlightenment” by Thaddeus Golas is about 80 pages, and after reading it you think: “All my problems are solved! Everything is so crystal clear now! I’ll never have to read another book again!” Other classics come close this feeling, such as “As a Man Thinketh,” by James Allen or “Acres of Diamonds” by Russell Conwell – and these latter three masterpieces are available for free across the Internet.

Let me just say, however, that I would recommend anyone buy and read Consciousness Archaeology. The way it work for people who are seeking answers through reading a lot of books is this: You never know when you’ll find that one book that really clicks for you; something that just happens to resonate with you in just the right way at the right time.

Consciousness Archaeology may be the book you need right now that has that certain something you need to hear at this moment in your life – you never know.

Ken Korczak is a former newspaper reporter, government information officer, served as an advocate for homeless people as a VISTA Volunteer, and taught journalism at the University of North Dakota for five years. He is the author of: BIRD BRAIN GENIUS

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‘Babe In The Woods’ by Frank DeMarco: Destined to be a cult classic on par with David Lindsay’s ‘Voyage to Arcturus’

babeReview by: KEN KORCZAK

I experienced a minor synchronistic “mind blast” while reading this book.

Sometimes an author’s style will remind me of another writer, but I can’t put my finger on it right away. In this case, it had been nagging at me for some 250 pages, like a steady itch. Then suddenly on page 255 it crashed into my mind: CLIFFORD SIMAK! That’s it! Ahhh! The itch was scratched!

But now the “mind blast”: I finished reading page 255 and at the bottom of page 256, lo and behold, I find this sentence:

“I though, unexpectedly, of Clifford Simak. Years ago, when I was a kid, I read one of his science fiction stories …”

Woo-hoo!

I don’t mean to make too much of it, but it was just one of those tiny “That was a neat feeling!” moments of synchronicity when you get buffeted unexpectedly by a wave on the ocean of Universal Consciousness.

Anyway – after 250 pages of  BABE IN THE WOODS  – I think anyone would become more in tune to transcendent wavelengths. This book not only gives you an idea of what it is like to tap into expanded consciousness, but dishes out insight after insight – it actually makes you feel what it might be like to push yourself to the edge of higher consciousness – a rare literary feat.

It tells the story of an ordinary group of people from widely divergent walks of life and professions who come together to challenge themselves – to open up their minds, to reach for new concepts, to expand what it means to be an “ordinary” human being in our dreary world calcified by scientific-materialism.

The model for the situation is a real-life program offered by THE MONROE INSTITUTE of Faber, Virginia. The Monroe Institute is an organization founded by the late ROBERT MONROE who became famous after publishing his first book about his experiences with out-of-body travel.

“Journeys Out of Body” came out in 1971. It was an unlikely bestseller, and was followed up with two more books, “Far Journeys,” and “Ultimate Journey.”

Perhaps no other books on astral travel have been more influential. Part of the reason is that Robert Monroe had never been a mystic or associated with any of the established traditions (such as Theosophy, for example, or Eastern religions) which trucked in arcane dabblings like “soul travel” (which also had scary occult overtones for many mainstream folks).

Monroe was no-nonsense, successful businessman who had made a considerable fortune in the burgeoning 1940s-50s world of radio. He was an entirely grounded, nuts-and-bolts kind of guy. However, in the late 1950s, he began to undergo unwanted spontaneous out-of-body experiences. This prompted the pragmatic Monroe to launch into an intense study of what was happening to him.

The eventual result was the establishment of the Monroe Institute. Its original purpose was to study the OBE and all of the mind-boggling implications which fall out of the possibility that our physical bodies are not “all that there is,” and indeed, that what we perceive as physical-material reality is not nearly all there is to consider.

The Monroe Institute developed a number of methods, mostly centered on sound technology that was designed to help any person achieve a state of higher or altered consciousness. These sound technologies leveraged something called binaural beats – and I won’t go into detail here about them, except to say that it was demonstrated that when people listened to binaural beats through headphones while in a highly relaxed state and in a supportive environment, the result could be an out-of-body experience, or some kind of realization of transcendent thought – in short, an expansion of the mind.

So this book, Babe In The Woods, takes us through a group of people who have decided to put themselves through the paces of a Monroe Institute program – except here it is thinly fictionalized as the “Merriman Institute.” Robert Monroe himself is fictionalized as “C.T” and his famous book, Journeys Out of Body is renamed “Extraordinary Potential.”

This is an incredibly ambitious book because it necessarily must employ a large group of characters – some two dozen people involved in the program – whom the author is tasked with not only introducing us to, but must rely on the reader’s patience as he builds them into believable characters of some depth, enough so that we can care about them and learn from them later.

The viewpoint character is modeled on the author himself — DeMarco is a veteran of several Monroe Institute programs.

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Frank DeMarco

DeMarco’s fictional incarnation is Angelo Chiari, a reporter with the Philadelphia Inquirer. The premise is that his editor sends him to the Merriman Institute to do some stealthy investigative journalism – and hopefully come out with an expose that might blow the lid off the weird snake oil the Institute is most likely selling to gullible people with enough money and desperation to seek answers to life anywhere.

But these journalist are professionals – both editor and reporter are not out to do a pre-determined hack job. Rather, they intend to get the story in a fair and objective manner. They’ll go where the facts lead them. If reporter Angel Chiari finds a legitimate program – he’ll write about that. If not, it’s blast away with both journalistic barrels. He very much expects it to be the latter, however.

The Chiari character is a classic example of what Henry Thoreau meant when he said: “Most men lead lives of quiet desperation and go to the grave with the song still in them.”

Chiari’s career is okay, but on cruise control. His work has long since become bland and meaningless. The heat of his decades-long marriage has cooled to a husband and wife more akin to roommates. His relationship with his children is shallow and distant.

Chiari holds no particular cherished beliefs. He’s a rational-materialist cog in the post-modern machine. He gets up every day and goes through the motions, running out the time clock on his life. His existence is like a tasteless block of tofu.

Perhaps it’s his training as a journalist that saves him – his fundamental dedication to objectivity leaves the door open just enough for Chiari to approach the Merriman program with an open mind and reserved judgment. That small crack in that door is enough for the Larger Consciousness System (to borrow a term from physicist Tom Campbell) to send Chiari tantalizing, subtle clues to convince him that, by golly, there might be something more to his existence – something remarkable..

This is the fourth Frank DeMarco book I have read. His writing style puts me in the mind of not only Simak, but also Sinclair Lewis (winner of the Noble Prize for Literature). That’s because there is a certain workmanlike doggedness to the way DeMarco hammers out his themes, and the way he develops and cobbles together his messages.

DeMarco somehow leverages the necessarily mundane and uses it to fetch glimpses of the transcendent. He is like a grounded, unspectacular Prometheus stealing fire from the gods, but bringing it back to us with the stolid work ethic of a UPS delivery truck driver.

Because of that, the insights we gain ultimately feel deeper and more authentic. DeMarco’s works are characterized by a  persistent and worrisome expression of doubt – the uncertainty of a person who knows he is threading a fine line between making sense of highly original and novel forms of information — while ever cognizant of the innate capacity of the human mind to fool itself with egoic delusions and struggles with Freudian “wish fulfillment.”

I’m guessing that Babe In the Woods, published in 2008, has since found only a small audience, but I can imagine it developing an ardent cult following – much in the same way that A VOYAGE TO ARCTURUS by Scottish writer DAVID LINDSAY has persisted and moved people since it was published in 1920.

You might be wondering how I can compare the syrupy surrealism of Lindsay’s ‘Voyage’ with DeMarco’s more staid ‘Babe,’ but I would challenge the reader to read both — tell me if you don’t see that, in a weird way, both works have the same heart.

Clifford Simak, Sinclair Lewis, David Lindsay — Frank DeMarco stands with guys like these in the literary world – and that’s not a bad place to stand, indeed.

Ken Korczak is a former newspaper reporter, government information officer, served as an advocate for homeless people as a VISTA Volunteer, and taught journalism at the University of North Dakota for five years. He is the author of: BIRD BRAIN GENIUS

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Aliens in the Forest a Fascinating read despite clunky prose

download (2)Review By KEN KORCZAK

If you are a true student of Ufology, this book will be a fascinating addition to your collection. I give the authors great credit for not only reintroducing to the public a sensational case of UFO/alien encounter, but setting the record straight about a story that has been much maligned and misreported over the years.

Even UFO-lit legends such as John Keel (The Mothman Prophesies) botched the story, as did other high-profile UFO investigation groups, according to the authors.

The authors also claim to be the first to identify the key experiencer in what is certainly among the most amazing UFO confrontations in history. California man, Donald Shrum, has not only come forward to tell his tale, but also provides photos and sketches of an event that forever changed his life.

The events took place in 1964 in a remote area of the Sierra Nevada mountains when Shrum was 26 years old. He was 73 when he sat down with the authors to tell his story. It’s a frightening saga indeed! Is the story authentic and true? For what it’s worth, I’m satisfied that it is.

Another terrific aspect of the book is the engaging artwork of illustrator Neil Riebe, from the beautifully imagined front cover to the pen-and-ink drawings inside which gave me a kind of nostalgic remembrance of the kind of UFO art one used to see in mainstream magazines from the `60s — such as SAGA, TRUE, REAL, ARGOSY and MAN’S WORLD.

The books fails to get a five-star rating from me, however, because the writing is clumsy, at best. The rendering of the information is repetitive in a way that makes it seem like Noe Torres and Ruben Uriarte realized they didn’t have enough information for a full book-length manuscript, and so they padded wherever they could.

In fact, the meat of the book ends a little over halfway through the document. The rest is appendix material and bibliography, and these latter materials don’t add a great deal.

The authors could create a much more powerful effect if they reissued this book perhaps as a Kindle Single, lowered the price and tightened up the writing, including editing out a lot of obvious wordy dross. I bet they’d sell even more copies and create a much more vibrant, punchy document that would be a thoroughly satisfying read.

Still, all in all, this is an important addition to the record of American Ufology.

Ken Korczak is a former newspaper reporter, government information officer, served as an advocate for homeless people as a VISTA Volunteer, and taught journalism at the University of North Dakota for five years. He is the author of: MINNESOTA PARANORMALA

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